Musical instruments

Musical instrument generating instruments They are used in vocal and instrumental music. In the Indian subcontinent, excavation and ancient literature have a very high standard of civilian identity, and the sources also reveal the identity of several musical instruments. It is known that the use of bean, harp and turban in Sindh civilization was used. In the Vedic era, the use of univalve, land-Dundovic, bend, harp, etc. were used in musical instruments.

Musical instruments, structurally and physically, divided into these four categories, the more absorbing, the denser, the more intense. The instruments are ringing and blowing, which give them the name of the machine, made of metal, made of durable metal and leather cover. The more and the zoology can be played with music or other instruments, and can be played solo. Hence their name is self-evident instruments, such as Sitar, Sarod etc. But dense and steady instruments can only be played with songs or other instruments; Their unit has no application; Their job is to keep singers and player's rhythm and rhythms properly. Therefore, their other names are loyal, such as Tanpura, Talha etc.; Their relationship with the vocal chords is closer. Scholars' ideas, drumming instruments were first discovered; After that, people can enjoy the use of such musical instruments. Nubs and dense national instruments have emerged further.

The two instruments are of two types: the elephant is played with mihrab, coconut or wax and is played with the help of a rash or archery rod. There is more in musical instruments. It is estimated that the bow is contributed to the creation of the bow. If tune is too small or big, the tunes will vary. Besides, if the tension is more stressed, then the tone of the voice, rubbing the voice, In the first instance, several types of musical instruments were formed from the sound of this voice.

In the past, many of the musical instruments used in Bengal are now extinct or unused; Again, many new instruments have also emerged. Those machines of the past and the present can be divided into four categories in general, tribal, elegant and modern.

Lusitania is mainly used on religious and social occasions. Drum-bronze-shuffle is essential for the worship of Hindus. Musical instruments are also found in the idols of some gods. This is how the statue of Lord Vishnu, the Domracheva Shiva, the Muralitharan Krishna and the Veganuary Saraswathi are imagined. The name of Saraswathi 'Binna ani' and Krishna 'Muralitharan', known under the influence of musical instruments. Sansei is played in the marriage of Muslims, and the Hindu wedding is played in Sanai, Conch, Drum, Cranes etc. Not only that, the announcement of brilliance and the arrival of newborns was announced by the Hindus and through shuffle and throating. Shuffle also needs to be done in the funeral, procession and warfare; Musical instruments such as Vadakara, Kanga, Damme, Bengal, etc. In the past, government orders were issued by drumming.

In some occupations, the use of musical instruments is inextricably linked. Like the snake charmers playing the serpent and playing the bouncers play a monkey-bear game. Ferries and circus jockeys furrow the trunk and ferries the products respectively; By playing pairs and tambourines, the Vaishnava-Viragos and beggars pray alms.

Various rituals of the people of Bengal are also present in the center of musical instruments. Conch and Sanai are considered as musical instruments; Playing the whistle at night is an illusion among the common people.

The use of Lok Pal in Bangladesh is very old. In the fifth century, the famous Chinese traveler Fah-Hien called the ancient musical instrument and described the country as a country of music and dance. Drama and musical manuscripts of paharpur-Mainamati stone and terracotta figurines were found in the eighth century AD. It shows the pictures of musical instruments such as canes, cymbals, drums, harp, turbans, flute, and so on. Drum, dumpling, dandruff etc. are considered as the contribution of Dravidian population to horns, whistles, and turbines. In the ninth-eleventh century, the chronograph of chanting of Bangla literature has been found in the songs of Nadya-dancing and theater. The names of seven musical instruments in three verses of Charon are: Veena, Potash, Medal, Cord, Kosala, Dundovic and Damari. Among them, path, medal, cord, kamala and duduwei were played in the wedding. It is said about the harp that the instrument made with the weavers made of dried laud is played with a rope or a rod.

In the 13th century, there is a mention of a variety of instruments like Silurian, Dham, Dhal, Kara, Turd, Mandira, Dumber, Dudu Vivi, Baring, Damari, Dundovic, Baring, Abhor, Dharmapala, Sankha, Singe, Bell, Jayhawk, Dammam, Khammam etc. Most of them were played on the occasion of piety. In the medieval period, various Mangal Kavya (13th-18th century AD) was presented in lyrics. In those poems and chaitanyabibhani, there are 66 types of musical instruments of four types, namely: Rabab, Ventura, Armanda, Rudra Rina, Madhusrababa, Khammam, Diorama, Pinaki, Pikake etc.; Shani Sanai, Kanga, Mehari (Mud culture), Ubangi, Karnal, Vishal, Sankha (Sankha), Tori, Baine etc.; Dense caves, temples, bells, groans, broccoli, etc., and Dundovic, Diindium, Targa, Joypad, Birhade, Kid, Demur, Path, Dagmar, Pakoras, Dump, Deer, Dhaka, Dole, Marda, Dagenham, Dumbo, Khanjar etc. Through the efforts of various musicians at different times of Mangal Kavya, Veena, Sarinda, Tanpura, Siraj (Ashrama), Chandra Sarang, Manohar, Sarod, Ekta